ABOUT W.V. (BILL) STEEN

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Every photograph has a story.


These photographs trace the people, places, and moments that shaped Bill Steen's life - from his earliest years in Bavaria to a new life in America, military service, family, faith, and the search that eventually brought him back to where his story began.


This is not simply a collection of old photographs.  It is a visual journey through the life behind An Orphan's Journey Home. 

Personal-The Early Years

A personal look into Bill’s story through photographs, memories, and places that shaped his life. These images help bring his journey to life and offer a deeper connection to the people, places, and experiences behind the book.

Before He Was W.V. Steen



Before he was an author, a soldier, a husband, a father, or a man searching for answers

about his past, Bill Steen was simply a little boy in Bavaria.

His story began in Kitzingen, Germany, in 1954, less than a decade after the end of

World War II. At only nine months old, Bill's birth mother made the painful decision to

place him for adoption. It was a decision he could not possibly understand as a child, but

one that would shape much of the life that followed.

For Bill, the earliest chapters of his story were written here - among the towns, streets,

and people of northern Bavaria.

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Kitzingen, Bavaria

The first photo shows Kitzingen’s town center in the 1950s. The second photo is Kaiserstraße in 1955, and the third photo is the Marktplatz around 1951

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Kitzingen, Bavaria

Where the Story Began


These photographs show Kitzingen much as it appeared during Bill's earliest years.

The streets, buildings, and town squares may seem like scenes from another time, but

for Bill they represent something much more personal. Kitzingen was his birthplace - the

first point on a journey that would eventually carry him across Germany, across the

Atlantic Ocean, and through a lifetime of searching for where he came from.

He would leave Bavaria as a child, but Bavaria never completely left him.

Years later, those same beginnings would draw him back to Germany with questions

that had followed him for much of his life.

The Golden Sun Children's Home

The Women Who Cared for Him


From 1955 until late 1958, young Bill lived at the Kinderheim "Güldene Sonne" - the

Golden Sun Children's Home - in Rüdenhausen, Bavaria.


Among the people who cared for the children there were Schwester Marie Gräfin Castell

and Schwester Claire Sacetzky.


The two women devoted their adult lives to children. By Sister Castell's recollection, together, they helped find families

for nearly 2,000 children - Bill was the only one able to return. He was finally able to thank them both.


Bill never forgot about his time with them.


It took 15 years before he could being searching and satisfying his longings to find those people and places of his earliest years,

His memory of them was not clear, but he knew he had a debt to them, a true debt of love. He wanted to know them and remember them clearly. When they did finally meet, it was like old friends reminiscing. Love is eternal.



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Schwester Marie Gräfin Castell and Schwester Claire Sacetzky with children at the Golden Sun

Children's Home in Rüdenhausen. I'm the one standing in front of Sister Castell. I have the bib with the starburst.

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Bill as a Child

This picture was taken when Inga stopped by the photographer's studio. She was on her way to take her boy to the orphanage, but she had to do one last thing. Bill often wondered how she must have felt that day and for many days after. I'm sure some of those feelings never went away..






Old Bavaria

The World of Bill's Earliest Years


This 1928 map of northern Bavaria and the Franconian regions helps place Bill's story in its historical landscape.


Kitzingen, Rüdenhausen, and the surrounding communities were more than names on a

map. They were the setting for the first chapter of a life that would eventually span two

countries, military service, family, loss, faith, and a decades-long search for answers.


Bill's journey would take him far from this part of Germany.


But in many ways, this is where the journey home began.

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1928 northern Bavaria map showing the Franconian regions

If you’ve read An Orphan’s Journey Home, you already know a piece of my story—but not everything.


Truth be told, I was never much for the classroom. Looking back, I sometimes wish I’d hit the books harder, but then I realize I’d have to be a different person entirely to have done that. I’ve always been someone who learns by doing rather than by reading. I found my own education right in my backyard, studying the plants, the insects, and my dog, Spot. I was only in the second grade when I named her, but

In school, I leaned toward the arts and music. My art assignments usually turned out I found her personality and her way of communicating with me absolutely fascinating. If you’ve ever had a dog, you know exactly what I mean—it’s both perfectly normal and deeply profound. Sometimes I think dogs might rate a little higher in God’s eyes than we give them credit for.


In school, I leaned toward the arts and music. My art assignments usually turned out well enough—or better—but I struggled with the teacher himself, chafing at his direction and his constraints. Looking back, I suspect he and I may have been too much alike. It wasn’t until my senior year that I realized I could actually tell a story that others might enjoy. My teacher was an elderly lady named Mrs. McCall, who lived down the block along the bayou. Her husband was the county judge, though he never seemed to be home. Us kids would walk by her house on the way to our favorite swimming spot—a wooden bridge that sat where a “real” bridge had been years before on the Old Spanish Trail. Practically everyone knew it as the Walk-Bridge. Even the judge called it the Walk-Bridge. I’d always stop to say hello to Mrs. McCall, and occasionally I’d visit. She played the piano, and so did I. I saw her piano once, but I never played it.


We lost touch during my teenage years—which were, to put it mildly, a tough season for me. But as a senior, I ended up in her class, and she remembered me instantly. I think we were both fixtures in that neighborhood. She was pleasantly surprised to discover I had a knack for storytelling, and I was even more surprised than she was. My biggest hurdle was learning to craft the English language; my vocabulary was decent, but it wasn’t until she taught us how to diagram sentences that the pieces finally clicked. I ended up doing well in her Advanced Composition class—the only “advanced” anything I’d ever taken. It was because of her that I began to like, rather than loathe, writing.


Those skills came in handy in the military, where clear, accurate writing was a necessity for the Military Police. Later, at Michigan State, I majored in Criminal Justice. That was a formative time, as I studied the field through philosophical, legal, and ethical lenses rather than just the “nuts and bolts” of police procedure. Almost every class required a heavy amount of writing. I even took several independent studies with a professor named Vincent Lombardi. We got along famously; he once told me I was the best student he’d ever had—a kindness that meant the world to me. He wanted me to pursue overseas studies, but with a family starting, it just wasn’t possible.


During my years in Michigan, I also dipped my toes into politics, which demanded everything from detailed instructions to speechwriting for state campaigns.


After a twenty-year hiatus, I eventually returned to writing. I’ve never been one for crafting epic works of fiction, but I found I could build an atmosphere that communicated my experiences—describing how events changed me and, when appropriate, how they made me feel.


Some years ago, I read Stephen King’s On Writing. At the end of the book, he invited his readers to send him a sample of their work, promising he’d write back. I sent him something—I can’t even remember what—and he actually replied. He liked the piece, but he sensed my hesitation. His advice was simple: I wouldn’t be ready to truly write until I reached a point where I could not help but do it.


I finally reached that point a few years ago. Now, I write. I hope you enjoy these stories, and I hope your life is somehow enriched by what I share. 


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